Ken Williams motages look the way they do because he creates the illusion of light in places not normally seen. For his current body of work Ken has worked with a series of coastal photographs depicting the entrance to dark unlit caves. “I wanted to create images unreal to the way we are accustomed to seeing them” says Ken. “Without light, virtually nothing exists, at least to the camera. This complete darkness is my canvas”. Ken digitally prints multiples of the same image on fine art papers and other substrates. Some are manipulated using photo editing software then a selection are sandwiched together beneath layers of transparency film.
